We are thrilled to speak with Anne Elliott—who always makes us feel like we’re in the best kind of MFA—about how structure and movement in your story can create the kind of reading experience that keeps people up all night with your book. Whether you’re pitching, published, or both, this is exactly (we imagine) what you want as a reader.
Join us November 15-17 for a three-day event on this very topic. Daily classes, supportive community, live Q&A and a live feedback panel. Everything comes with replays and can be done on your schedule. $49: live.manuscriptacademy.com/movement-and-momentum/
Anne Elliott is the author of The Artstars: Stories (Blue Light Books / Indiana University Press, 2019) and The Beginning of the End of the Beginning (Ploughshares Solos, 2014). Her short stories can be found in Story, A Public Space, Crab Orchard Review, Witness, Hobart, Bellevue Literary Review Fifth Wednesday Journal, Fugue, and elsewhere. Elliott is a veteran of the New York spoken word circuit, with stage credits including The Whitney Museum, Lincoln Center, and PS122.
Her fiction has received support from the Elizabeth George Foundation, the Story Foundation, Vermont Studio Center, Table 4 Writer’s Foundation, Tomales Bay Writer’s Workshop, The Normal School, Longleaf Writer’s Conference, and The Bridport Prize. She holds an MFA in visual art from UC San Diego, and an MFA in fiction writing from Warren Wilson College. She lives in Maine with her husband and many pets.