Brought to you by

Christina Lopez

St. Martin's Press

My Manuscript Wish List®

What I’m Looking For
I’m actively acquiring adult, YA, and new adult commercial fiction with heart, voice, and emotional impact. I’m especially drawn to stories that feel like a Taylor Swift song—dramatic, relatable, and unforgettable. My taste spans women’s fiction, romance, fantasy, and historical fiction, and leans commercial with upmarket or literary elements.
I almost always fall in love with voice first, but I’m especially excited by stories that drop you straight into the action—where you feel like you’re catching up as a reader in the best way. I love that sense of urgency, immediacy, and momentum, as long as it’s anchored in emotional truth.
Across all age categories, I’m drawn to character-first stories that center emotional journeys, layered relationships, identity, and joy—especially for women and people from underrepresented backgrounds. My genre taste is consistent across YA and NA, with a particular soft spot for stories with magic, grounded speculative frameworks, and that searching, hopeful energy of becoming.
 Highlights of What I Love: 
★ Women’s Fiction & Book Club Fiction
  • Voicey, emotionally layered protagonists (Happy Place, Adelaide)
  • Light speculative or magical elements (The Invisible Life of Addie LaRue)
  • Mother/daughter stories & multi-generational family dynamics
  • Found family, or stories about building home in people instead of places
  • Latinx and underrepresented characters (I’m from a border town in Texas!)
  • Romantic subplot (In Five Years)
★ Rom-Coms & Contemporary Romance
  • Smart, voice-driven love stories with emotional depth
  • Fresh takes on beloved tropes
  • Commercial rom-coms with upmarket hooks (think Katherine Center)
  • Diverse casts, sharp dialogue, and clever retellings (Devil Wears Prada reimagining, but Latinx!)
★ Fantasy & Speculative Fiction
  • Big commercial fantasy with romantic threads (Fourth Wing)
  • Superpowered, morally complex characters (Vicious by V.E. Schwab)
  • Intuitive worldbuilding grounded in emotion
  • Time travel / alternate realities (The Midnight Library, Oona Out of Order)
  • Light speculative or magical realism with voice and heart
★ Historical Fiction
  • Dual timelines (The Seven Husbands of Evelyn Hugo, The Last House on the Street)
  • Overlooked moments, reimagined women’s perspectives
  • Strong female leads and atmospheric writing
  • Stories that challenge what we know to be true
★ Upmarket YA / New Adult Crossover
  • Emotionally charged coming-of-age stories
  • Voicey, character-driven narratives
  • Fantasy or speculative hooks with depth and heart
  • Themes of identity, reinvention, friendship, and hope
★ Select Nonfiction
  • Pop culture & nostalgia (reality TV, Disney Channel era, early 2000s)
  • Narrative memoirs in the vein of Everything I Know About Love
  • Stories about identity, womanhood, and intersectionality

 

Bonus Points For:
✓ Morally gray protagonists
✓ A strong sense of place
✓ Diverse characters finding joy
✓ Books that capture the bigness of emotion in the everyday
Not the Best Fit For:
✗ Sci-fi
✗ Horror
✗ Animal-focused stories
✗ War-centered narratives
✗ Westerns
About Me:
I currently assist Jen Enderlin, President & Publisher of St. Martin’s Press, and work closely with bestselling authors like Kristin Hannah, Katherine Center, Heather Morris, Diane Chamberlain, Sally Hepworth, and Greer Hendricks & Sarah Pekkanen.

Submission Guidelines

Submissions should be emailed to christina.lopez@stmartins.com

I’m only taking agented submissions. Please send manuscript or proposal to ch*************@*******ns.com.